Thursday, March 15, 2012

The Romantic Approach (Box Set) [Box Set]


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The first volume in this collection features the following American composers: George Gershwin, Duke Ellington, Leonard Berstein, John Cage, Elliott Carter, Henry Cowell, Aaron Copland, Peter Schickele, Arthur Foote, Samuel Barber, Ferde Grofe, and Charles Ives.
The second volume is this series is represented by a few of Europe's finest composers: Pietro Mascagni, Claude Debussy, Jean Francaix, Gabriel Faure, Gioacchino Rossini, Antonio Vivaldi, Ottorino Respighi, Giacomo Puccini, Giuseppe Verdi, Giuseppe Martucci, Jules Massenet, Maurice Ravel, and Erik Satie.

The third volume within this series features a choice of romantic functions by these great German composers: Ludwig van Beethoven, Carl Maria von Weber, Felix Mendelssohn-Bartholdy, Max Bruch, Robert Schumann, Johannes Brahms, and Richard Wagner.
What makes music Romantic? Like beauty, Romanticism is in the eye - or ear - in the beholder. As a musical movement, it is generally associated with nineteenth century Europe although the Romantic movement actually originated in Germany. In this exquisite trilogy of romantic classical music, The Romantic Approach explores the origin of music Romanticism, French and Italian romantic music, and Last century American romantic music written after the end from the Romantic era.
The first volume with this trilogy, The Romantic Approach: a Special Collection of Twentieth Century American Music may have surprised listeners who felt that contemporary America has produced very little Romantic art. The diverse roster of this century's finest composers also reflects the diversity in the music, from jazz influence to classical. This collection of works echo the lyrical, tonal style of European classical music with the nineteenth and early twentieth centuries.

The Romantic Approach, Volume Two: a Special Collection of Classical Music from Italy and France showcases the very heart of Romantic literature. Of all of the countries within the world, France and Italy are actually those most connected with things romantic; even the sounds of their languages are musical, knowning that songlike quality has certainly colored much from the music of those two countries. Some of the works and composers for this volume will likely be familiar to opera lovers, a central part of the musical life of these countries. It is rounded by helping cover their unjustly neglected masterpieces from several gifted French and Italian composers.

The Romantic Approach, Volume Three: Classical Music from Germany takes us back towards the origin from the Romantic movement - to Germany - and on the emotional works of the company's greatest composers. These composers could move their listeners with no to resort to painting a specific image in sound. This is music that may speak for the emotions without dictating which emotion you need to feel; in fact, it can evoke some other vision or story in each listener.







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