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Reverting to its original title, The Harvard Dictionary of Music continues under editor Randel as a revision of his 1986 The Newest Harvard Dictionary of Music, so named at this time to reflect its significantly expanded scope from previous editions. The focus remains "the tradition of Western art music," with greater awareness of world and popular music. A large number of contributing scholars are listed inside front matter and denoted by initials on the end of entries.
Entries range from a couple of words to multiple pages in length, defining or explicating terms for musical styles, instruments, performance marks, concepts, and works (e.g., Blues, Consonance and dissonance, Koto, Largo, Moonlight Sonata, Percussion instruments, Suzuki method). Black-and-white illustrations identify instruments, and staves as well as other kinds of notation aid comprehension of concepts (e.g., Diminution, Mambo). Many longer essays retain most of the text in the last edition, with brief updates to every one section where appropriate. For example, England is enhanced with a listing of important British composers born inside twentieth century beneath the heading "History." Others happen to be substantially reworked or replaced (e.g., Electro-acoustic music). Many short entries have been completely revamped to reflect greater cultural importance or changing use or understanding with the terms. For example, Reggae now emphasizes the influence of Bob Marley. The content occasionally seems a bit behind the times, omitting terms like MIDI and MP3 (though Compact disc is a whole new entry) and neglecting to mention significant technological advances in Notation and Score that enable new approaches to both representation and reproduction of musical ideas. Brief bibliographies accompany many from the articles, that happen to be updated even when there was few major changes to the entry.
In comparison with single-volume music references, such as the Oxford Companion to Music (2002) and Baker's Dictionary of Music (Gale, 1997), Harvard does not need biographical entries, is usually more scholarly in tone and content, and has many unique articles (e.g., Boston dip waltz, Ecphonetic notation, Lombard rhythm). Recommended for almost any comprehensive music reference collection. RBB
Copyright © American Library Association. All rights reserved
From reviews in the previous edition: "May well function as the indispensable one-volume reference work on the subject of music--classical, ethnic, pop or rock . . . Should you must have at heart the difference involving the Lydian and Mixolydian modes, you can find that lucidly described, however, not to the exclusion of the note about the practice and etymology of doo-wop."
--Herbert Glass (Los Angeles Times 20031123)
[From a review from the previous edition] This single volume [provides] as full a variety of non-biographical information since many individuals are planning to require.
--Peter Heyworth (Observer 20040101)
[Praise for the previous edition] A genuinely indispensable book, readable, accurate, and completely reliable.
--André Previn, Conductor, pianist, and composer (20031218)
Easily essentially the most useful coming from all musical dictionaries because of their accuracy, concision, and easy reference.
--Charles Rosen, pianist, author, and critic (20040501)
[Moves] impressively and easily between non-Western and Western music, integrating ancient theory and modern practice right into a genuinely, and invigoratingly, global survey.
--Christopher Wintle (Times Literary Supplement 20040514)
Its discussion of complicated technical issues is admirably concise and clear (see the entry on 'twelve-tone music'), and some of its entries on pop music are both sensible and amusing...This book has proved of daily, error-free usefulness.
--Richard Dyer (Boston Globe )
When it appeared in 1986, The Newest Harvard Dictionary of Music was hailed in many quarters as the most valuable single-volume reference work on classical music in English. Now, still unsurpassed in the classical field, it has become a lot more valuable, which has a new edition...The Harvard Dictionary now makes incursions into rock, pop and world music...This is very good news for music lovers whose tastes run towards the traditional, the more so for almost any who might wish to broaden them.
--James R. Oestreich (New York Times )
The book--approximately 1,000 pages in length--is solidly accurate and refreshingly concise. Best of all, it offers a whole listing of most relevant terms, literally from A (Abendmusik, or evening music) to Z (Zigeunermusik, or gypsy music)...In short, the Harvard Dictionary of Music is amazing, wonderful, and highly useful.
--John A. Murray (Bloomsbury Review )
The essential one-stop reference has been newly updated, which makes it more essential. After all, how else are you gonna find out what euouae are (the vowels with the words 'seculorum Amen' sung in Gregorian chant) or that you just just missed Berlioz's 200th birthday?
--Mark Swed (Los Angeles Times )
Readers will not be disappointed with all the fourth edition with the Harvard Dictionary of Music, long known because the essential single-volume music dictionary. Existing articles happen to be fine-tuned, and additions and deletions reflect new developments in musical scholarship as well as the changing world and its particular political boundaries.
--K. A. Abromeit (Choice )
The Harvard Dictionary of Music (Fourth Edition) is a resounding success...I can't imagine how Harvard University Press can provide this type of detailed and meticulously produced volume for $40, but that being the truth there exists no reason at all it must not become a much-thumbed part of every serious music-lover's library.
--James M. Keller (Symphony )
[The Harvard Dictionary of Music] manages...to live up with a sentence from its own entry on 'Dictionaries and encyclopedias': 'The success of an dictionary is judged mainly on its factual details, completeness of coverage, and clarity of presentation.' On all these counts, this volume scores very highly.
--Hugh Wood (Times Advanced Schooling Supplement )
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