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As science explores the frontiers of the measurable, it begins to intrude into the arena of art, and this book occupies that uneasy zone. Rothenberg, a musician and philosopher, became fascinated using the similarities between human music and birds' songs. His investigations into these matters led him to zoos and forests, where he played his clarinet as well as virtuoso lyrebirds and thrushes. His goal: to find out why birds sing by utilizing "the whole toolbox of human talents," rather than exactly the theories and experiments of reductionist Darwinism. "Just because science demonstrates that a song includes a specific territorial or sexual purpose does not mean that birds aren't singing since they love to," he writes. Assuming we are able to know what a bird loves to accomplish is a serious little anthropomorphic conjecture, of course. "It could possibly be impossible to flee the human perspective," Rothenberg writes, then he joyfully acknowledges what he feels being the truth: birds make music as surely as Charlie "Bird" Parker ever did. Rothenberg delves heartily into the lovely and strange structures of bird songs and finds enough syllables, rhythms and syncopations to fill a jazz encyclopedia. Illus.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to a out of print or unavailable edition of the title.
The question of why birds sing has kept humans entranced for millennia. Most scientists would answer that birds sing to claim territories and to attract mates. But why is really a lot of birdsong beautiful? In a unique approach to the study of birdsong, jazz musician and philosopher Rothenberg attacks this question through the medium of music. When a musician friend invited him to come and play music with the birds at the National Aviary in Pittsburgh, Rothenberg's music attracted a white-crested laughing thrush. The bird begun to sing along with the author's clarinet and actually improvise because he improvised. This interaction led to some journey, both intellectual and physical, as Rothenberg investigated birdsong. Mixed through the entire narrative could be the author's sheer joy at the musicality of birds' songs, illustrated with musical notations created by both author and previous researchers. This lovely amalgam of science and music will appeal to both left- and right-brained readers. Nancy Bent
Copyright © American Library Association. All rights reserved --This text refers for an from print or unavailable edition with this title.
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