Monday, April 23, 2012

Kitzke: The Character Of Yankee Sunlight, etc. / Lubman, Mad Coyote, et al


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Jerome Kitzke's works go wildly beyond definition, partaking of rhythmic tumult and pouncing reeds, never to mention the vocalists who shout jubilantly and chant darkly. Part musical theater, Kitzke's oeuvre is brimming with theatricality, as on Keening Wish, the Allen Ginsberg-scripted text that is recited, morphed, and ricocheted through percussion and bass clarinet, building toward Lisa Karrer's floating vocalizations as well as the full ensemble's mirroring in the voice. Then A Animist Child jumps in a virtuosic mix of foot-stomping and toy piano that sound just like a rootsy accept John Cage's chance composition. It's on the Big Gesture that Kitzke's full breadth of know-how involves light. Tumbling drummed percussion gets twill-like weave treatment with Michael Lowenstern's bass clarinet and Jacqueline Leclair's oboe. Kitzke has several political commentaries engrossed in these pieces, but all are served well by spotless execution on works that could easily hide even intentional spots inside their ecumenical embrace of a lot of genres. --Andrew Bartlett






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